2024 Music Listening Stastics

Total Minutes: 33354

Top Artists

1) Bring Me The Horizon – 2257 minutes

2) Slipknot – 1667 minutes

3) blink-182 – 1402 minutes

4) Green Day – 1190 minutes

5) mewithoutYou – 1101 minutes

Top Albums

1) POST HUMAN: NeX GEn, Bring Me The Horizon – 1598 minutes

2) ONE MORE TIME… Part-2, blink-182 – 1171 minutes

3) The Fear of Fear, Spiritbox – 874 minutes

4) Saviors, Green Day – 665 minutes

5) The Hum Goes on Forever, The Wonder Years – 661 minutes

Top Songs

1) “Cellar Door” – Spiritbox

2) LosT – Bring Me The Horizon

3) sTraNgeRs – Bring Me The Horizon

4) “Jaded” – Spiritbox

5) “AmEN!” – Bring Me The Horizon

Favorite Albums of 2024

I’m continuing to go through my back-log regarding favorite records from the past few years. In no particular order, here are my favorite records of 2024.

POST HUMAN: NeX GEn – Bring Me The Horizon

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Bring Me the Horizon gave us the second installation in their Post Human series, and I daresay this installation is better than the first. The band seamless goes between their classic metal core, pop, and perhaps some hyper-pop vibes as well. The release was delayed several times, in part, due to their separation from Synthesizer and co-write Jordan Fish leaving the band. More on that later.

Saviors – Green Day

Well, well, well, what do we have here? A good Green Day record? Boy, its been a while. I was a die hard fan throughout high school and college, but I haven’t really enjoyed the last 5 (!!!) records or so. Very happy to hear some fun new material. Songs like “Bobby Sox” seem to have struck a chord w/ the fan base and incorporated themselves as staples in the live set. Great to see a solid addition to their discography.

Negative Spaces – Poppy

And what did Jordan Fish work on in 2024 after being dismissed from Bring Me the Horizon? Poppy’s Negative Spaces. Poppy is a terribly interesting artist, which I’ll admit I don’t quite fully “get”. Her career started on YouTube…. She’s had several full-on pop records… but here she is just doing extremely heavy metal, intertwined with some solid pop-rock tracks. I first became aware of her on the single “Scary Mask” which featured Jason from Fever 333. That collabortion must have lead to her meeting Stephen Harrison, who co-wrote many of these songs, along w/ Jordan Fish, and has played a few things live w/ Poppy as well.

Live, Vol. One – mewithoutYou

As of writing this in the summer of 2025, volume 2 of this live series has just been released, so volume 1 has recently been in heavy rotation. Mewithoutyou is/was truely a remarkable one-of-a-kind band, which we are all better off for having existed. What a treat these live shows are. The end of the band went out as good as fans would have desired. 2 years notice, anniversary tours, a lengthy goodbye tour, professionally shot and streamed shows, and now these live records. We do not deserve them.

Heaven :x: Hell – Sum 41

Heaven :x: Hell feels almost too on-the-nose. Sum 41 has forever straddled the line between metal and pop punk, and this, thier final record, just lays that out as clearly as possibe: Sum 41 is both. Overall, its a good record. Its a solid goodbye to their fanbase, and if I’m really being honest, it won’t shock me if they reunite in the next 5-10 years

F–1 Trillion – Post Malone

Huh, I didn’t expect this to be here. Its easy, its fun. Crack a bud light lime and sit back, man.

analysis paralysis – Four Year Strong

This is another record I’m cheating with, because I didn’t get in to it until this year, 2025. Its another great Four Year Strong record. I think these guys keep growing and changing, and making interesting records. I’m not sure why I was so reluctant to try this one, but I was the same with the last record, Brain Pain, as well. Lesson learned.

American Motor Sports – Bilmuri

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Lastly, another record I’m cheating with. This band rules. My friends got me in to them earlier this year, so I was introduced to this as well as their back-catalog. They’re a fun/weird band, heavy, poppy, and unafraid to add in a little twang as well.

The Intersecting Careers of Bring Me the Horizon and Underoath

underoath

I started listening to Underoath right around the time Define the Great Line came out. I followed them throughout that album cycle, through the next album cycle (Lost in the Sound of Separation), through the loss of their singer/drummer Aaron Gillespie, and into the album cycle for Ø (Disambiguation). I love all of those albums. I remember how they did the promotion of the first song released from Ø (Disambiguation), “Illuminator”. They published a single layer of audio of the song one day at a time for a week. What a great way to show off each of their parts.

I remember my disappointment when they announced their breakup in 2012. I remember being even more disappointed that their farewell tour was a paltry 9 dates on the east coast, only a year after I moved from Atlanta to Seattle.

Shortly after Underoath was over, a friend recommended Bring Me the Horizon. I had listened to one song by that band previously, “Diamonds Aren’t Forever”. That song was a little too heavy for me, as was the album it came from. However, the band had lost a guitarist, and gained a new member handling keys and samples – their arrangement was now nearly identical to what Underoath had been when they broke up. Bring Me The Horizon had just released “Shadow Moses” from the upcoming Sempiternal, and they had left behind the harsh vocals of their prior records for a more focused sound. BMTH had fallen squarely in the hole Underoath had vacated. Sempiternal felt like the Underoath album I wanted in 2013.

The next Bring Me the Horizon album That’s the Spirit was good as well. The band had continued to grow and began seeing some main stream success as they had moved even further away from the metal side of their influences for more of a main stream hard rock band (See: “Follow You”). Hell, they even opened for Justin Bieber at a few dates.

Which brings me to the new Underoath album, Erase Me, which is their first album since the band reunited for a hand full of anniversary tours for Define the Great Line. Erase Me is a solid album – I’m on my third way through it now – but the first thing that occurs to me is how much it reminds me of That’s the Spirit. The album is easily the most main stream metal Underoath has ever been. Thats not a bad thing in this case – it just is, in fact, the case. Songs like “Rapture” and “ihateit” could easily be played on a modern rock radio station, and that would be a first for Underoath. Given how much success Bring Me the Horizon has had going in this musical direction coming from a similar musical place as Underoath, I really hope this album carries Underoath to some big places. I’d love to see those guys rocking into their 60’s